Calista C2-88 Projector Balanced
1) Having a pleasing amount of low frequencies compared to mid-range frequencies and high frequencies. 2) Having a pleasing mixture of the various instrument levels in an audio recording. 3) Having a fairly equal level in each of the stereo channels. 4) A method of interconnecting electronic gear using three-conductor cables.
Cycle
1) An alternation of a waveform which begins at a point, passes through the zero line, and ends at a point with the same value and moving in the same direction as the starting point.
2) On a Solid State Logic Console, a command to have the console computer control the tape machine to play and replay a certain section of the tape.
Calista C3-S Security System Gain Structure
The way in which the gain varies in the stages or sections of an audio system.
Electronics
1) On a tape machine, the housing for and the channel circuitry which processes the signal to be fed to the heads, provide bias, and playback.
2) The branch of science dealing with the behaviour of electrons/charges in vacuums, gases, semiconductors and special conductors.
Calista C1-9 Home Theater Dynamic Mic
Robust type of microphone which picks up the sound on a diaphragm connected to a coil of wire which moves within a magnet. An alternating current is induced into the wire which provides the electrical output. Most dynamic mics have low output impedance of 200 Ohms. See Condenser Mic.
Cascade
To set and interconnect two mixers so that the stereo mixing buss(es) of the first mixer feeds the stereo buss(es) of a second mixer.
BPM
An abbreviation of Beat Per Minute (the number of steady even pulses in music occurring in one minute and therefore defining the tempo). Bose
Compressor
1) Effect used to squash the sound together. Used properly, it can take the edge off or your sound. Used improperly, it can take the life right out of your system and make it sound like an MTV mix.
2) A piece of sound processing equipment that ensures all wanted signals are suitably placed between the noise and distortion levels of the recording medium. It evens out the unwanted changes in volume you get with close-miking, and in doing so, adds punch to the sound mix. A Limiter is used to stop a signal from exceeding a preset limit. Beyond this limit, the signal level will not increase, no matter how loud the input becomes. A Limiter is often used to protect speaker systems (and human ears) by preventing a system from becoming too loud.
Cycle
1) An alternation of a waveform which begins at a point, passes through the zero line, and ends at a point with the same value and moving in the same direction as the starting point.
2) On a Solid State Logic Console, a command to have the console computer control the tape machine to play and replay a certain section of the tape.
Calista C3-S Security System Gain Structure
The way in which the gain varies in the stages or sections of an audio system.
Electronics
1) On a tape machine, the housing for and the channel circuitry which processes the signal to be fed to the heads, provide bias, and playback.
2) The branch of science dealing with the behaviour of electrons/charges in vacuums, gases, semiconductors and special conductors.
Calista C1-9 Home Theater Dynamic Mic
Robust type of microphone which picks up the sound on a diaphragm connected to a coil of wire which moves within a magnet. An alternating current is induced into the wire which provides the electrical output. Most dynamic mics have low output impedance of 200 Ohms. See Condenser Mic.
Cascade
To set and interconnect two mixers so that the stereo mixing buss(es) of the first mixer feeds the stereo buss(es) of a second mixer.
BPM
An abbreviation of Beat Per Minute (the number of steady even pulses in music occurring in one minute and therefore defining the tempo). Bose
Compressor
1) Effect used to squash the sound together. Used properly, it can take the edge off or your sound. Used improperly, it can take the life right out of your system and make it sound like an MTV mix.
2) A piece of sound processing equipment that ensures all wanted signals are suitably placed between the noise and distortion levels of the recording medium. It evens out the unwanted changes in volume you get with close-miking, and in doing so, adds punch to the sound mix. A Limiter is used to stop a signal from exceeding a preset limit. Beyond this limit, the signal level will not increase, no matter how loud the input becomes. A Limiter is often used to protect speaker systems (and human ears) by preventing a system from becoming too loud.
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