Calista C1-9 Home Theater IC
Abbreviation of Integrated Circuit (A miniature circuit of many components that is in small, sealed housing with prongs to connect it into equipment).
Group
1) A number of channels or faders that can be controlled by one Master VCA slide.
2) A shortening of the term Recording Group (a buss or the signal present on a buss).
Calista C2-88 Projector Kick (Kick Drum)
Another term for Bass Drum.
Condenser
An older term meaning the same thing as Capacitor (an electronic device which is composed of two plates separated by an insulator and can store charge) but sill in common use when referring to a microphone's active element.
Calista C3-S Security System Headphones
Devices that can be worn on the head with small speakers that fit over the ears (or sometimes into the ears).
Compact Disc Recordable CDR
A blank Compact Disc that can be recorded on one time.
DC
Abbreviation for direct current. Calista Reviews
Equalizer (Parametric, Graphic)
This is used to filter out and adjust specific frequencies in the PA. This is the part of the PA where you have the most control over the band's overall sound. It is also the number one weapon against feedback.
Group
1) A number of channels or faders that can be controlled by one Master VCA slide.
2) A shortening of the term Recording Group (a buss or the signal present on a buss).
Calista C2-88 Projector Kick (Kick Drum)
Another term for Bass Drum.
Condenser
An older term meaning the same thing as Capacitor (an electronic device which is composed of two plates separated by an insulator and can store charge) but sill in common use when referring to a microphone's active element.
Calista C3-S Security System Headphones
Devices that can be worn on the head with small speakers that fit over the ears (or sometimes into the ears).
Compact Disc Recordable CDR
A blank Compact Disc that can be recorded on one time.
DC
Abbreviation for direct current. Calista Reviews
Equalizer (Parametric, Graphic)
This is used to filter out and adjust specific frequencies in the PA. This is the part of the PA where you have the most control over the band's overall sound. It is also the number one weapon against feedback.
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